Credits
Directors: Dennis Del Favero, Ross Gibson, Ian Howard, Jeffrey Shaw
Writer and Video Director: Ross Gibson
Video Editor/Compositor/ Cinematographer: Greg Ferris
Project Manager: Kate Dennis
Production Manager: Damian Leonard
Production and Technical Co-Ordinator: Volker Kuchelmeister
Production Assistant: Allison Bisshop
Software Developer/Co-Ordinator: Matt McGinity
Software Developer: Keir Smith, Joachim Tesch
Audio Engine Software Developer: Teewon Tan, Craig Jin, Andre Van Schaik,
Dennis Lin, Alan Kan
The Computing and Audio Research Laboratory: CARlab, University of Sydney
Character Animator/3D Modeller: Guido Wolters, Steve Weymouth, Andy Homan
Sound Designer: Robert Hindley
Panoramic Still Photographer: Peter Murphy
Technical Director/Sound: Max Harrison
Props and Costumes Designer: Imogen Ross
Hair and Makeup Stylist: Sue Carroll
Line Producer: Sue Midgley
Camera Operators: Katharina Klodt, Jodie Smith
NIDA Team: Amanda Morris, James Tait, Lisa Lipson, Jeavons
Ronald Ryan: Tim Burns
Peter Walker: Scott Williams
Ryan’s Mother: Mercia Deane-Johns
Prison Chaplain: Craig Coventry
Premier Bolte: Tony Girdler
Justice Starke: Ted Bennett
Leader Of The Prosecution: David Robbins
Leader Of The Defence: Stephen Holt
State Hangman: Damien Parker
Prison Officer: Kristen Throw
George Hodgson's Ghost: Simon Mills
Anti-Hanging Campaigner: Kath Parle
Extras: Daniel Heckenburg, Casey Whitelaw, Nick Mariette
The iCinema Centre gratefully acknowledges the financial assistance of: The Australian Research Council; the University of New South Wales - College of Fine Arts and Faculty of Engineering, School of Computer Science and Engineering; National Institute of Dramatic Art; CARlab at the University of Sydney; ZKM, Centre for Art and Media, Karlsruhe, Germany; the Powerhouse Museum. It acknowledges the support of: dedece; Xenon Systems; Harbour Street Management; 3 Arts Make-Up Centre; Penny Hagan; Anthony Speed; Jackie Farkis; Milvia Harder; Cmeleon Touring Systems.
Funded by:
Australian Research Council Discovery
Grant: The reformulation of narrative within digital cinema as the
integration of three models of interactivity.
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